FanFrom'61 wrote: December 18th, 2025, 5:31 am
JoeyCoco wrote: December 16th, 2025, 11:31 am
FanFrom'61 wrote: December 15th, 2025, 2:23 am
Keith wrote: December 14th, 2025, 5:52 pm
FanFrom'61 wrote: December 14th, 2025, 10:21 am
The release date for me is when the postman knocks on the door with the pre-ordered goods.
Even though many others already had their sets delivered to them?
Keith
Well what is your interpretation of an actual FTD “release date”.
Most record companies announce a release date and that is when the record will be available to go into a shop and buy or find it available on a digital platform to download or stream or even order on line from Amazon who will generally get the item to the buyer if the day of release. Sunset Boulevard as a mainstream release had a release date of Friday 1st August 2025. It was available to buy from my local record shop on that day and it was available to stream on that day, and Amazon despatched my copy on the last day of July so that I had it on the 1st August.
FTD do not actually have proper release dates. They have anticipated shipping dates of something like “Week Commencing”. And then it is down to when the deliveries to the various dealers are made and then how quickly the dealer can get the item to the customer. There are three main dealers in the UK that I am aware of, and only one has managed to get their supply in before the other two. So even if someone ordered the release today from one of the other two, there is still no guarantee that they would have the item in stock or that the buyer would get the item in the next day or so.
And that’s why with so many variables kicking in, then for me, the release date is when I get hold of my copy.
Comparing a mainstream release like Sunset Boulevard to an FTD release is… well, ambitious.
One is produced for a global distribution chain with corporate logistics, digital platforms, and Amazon trucks ready to launch the second the clock hits midnight. The other is FTD — a niche collector’s label operating on a much smaller scale, with “week commencing” windows that by definition allow room for shipping delays, customs, manufacturing hiccups, and dealer turnaround time.
That’s the whole point of announcing anticipated shipments rather than “official release dates.”
It isn’t incompetence — it’s simply how a boutique label survives when it doesn’t have Sony’s worldwide machinery behind it.
And let’s not pretend December doesn’t play a role here.
FTD releases big book/CD projects almost every December, right when shipping companies are drowning in Christmas volume. So yes, delays happen. Shocking, I know.
So while it’s very nice that Amazon gift-wrapped your mainstream release and catapulted it to your house on August 1st, expecting FTD to operate like a billion-dollar multinational is… optimistic.
Your defence of FTD is admirable, with some valid points, however, either you appear to have misunderstood what I wrote or you just like coming out with lots of somewhat flippant comments.
Nowhere have I condemned FTD or suggested any incompetence on their part or even have I shown or suggested that they should work like Amazon in catapulting orders to here, there and everywhere on a set date. The analogy with the Sunset release, and I could have used any mainstream release and not even an Elvis release, was to re-enforce what a ‘release date’ is when compared to an anticipated shipping date which FTD use for their customers, ie the dealers.
I am fully aware of how FTD operate, and that their business is akin to a cottage industry that has logistic restrictions and even budget restraints and that they are unlikely to have the clout to get things rescheduled quickly when something goes wrong within the production timeline. All of those things are good enough reasons why they do not provide actual release dates.
But there are fans who do not appreciate or understand those things, or perhaps just do not even think about them. They continually ask for release dates because they get a little frustrated that having placed their pre-order and in some cases have already paid a month or two in advance, that when there is still no sign of the goods that they ordered actually arriving, it’s human nature for them to wonder what is going on and ask if there is a release date so they can try and figure out when they might actually receive their order. So perhaps updates from FTD themselves if there are unexpected delays would help appease concerns.
Regarding the month of December, I think everyone on here would understand that during that month and especially in the lead up to Christmas, that it can get pretty hectic out there with shipping and delivery problems and delays occurring, and whilst that may seem like a reasonable defence for FTD having to deal with those problems, that is not necessarily how fans see it because they hope that FTD will by now have factored those problems into their timelines/schedules and ensured that a big deluxe set like this G I Blues set and earmarked for a December release, should really arrive before Christmas and not some time in January.
There was a similar problem last year with the Making of King Creole, another December release which some dealers in Europe only started receiving stock of at the start of the third week of December whilst dealers further afield waited longer, leaving the dealers little hope of getting them out to fans for Christmas. Elvis collector fans like to get their new Elvis goodies in time for Christmas - they kind of see it as a present to themselves or perhaps if they are lucky, their partner has agreed to buy it for them for Christmas. And that would be a Christmas win-win.
Thank you for the clarification, apparently the issue is not what you wrote, but my tragic inability to appreciate the deep subtlety of your analogy. I’ll try harder next time.
But let’s be honest:
You compared a global mainstream release with full corporate infrastructure, synchronized worldwide distribution, Amazon automation, and digital platforms…
to FTD, a boutique collector’s label that ships in batches to independent dealers.
And now you’re surprised someone pointed out that the comparison doesn’t hold?
My comments weren’t “flippant”; they were simply stating the obvious:
FTD does not — and cannot — operate like a major label.
You now say you already knew this, understood it, accepted it, and even fully sympathize with their logistical limitations. Wonderful!
Yet your entire post was built on contrasting FTD with a system they don’t — and never will — function within. Which is like comparing a food truck to a national restaurant chain and then acting shocked when someone points out the difference.
Your long explanation about fans wanting release dates, fans being frustrated, fans needing reassurance… is all perfectly reasonable.
But none of that changes the basic point:
Comparing a boutique collector’s label to Amazon Prime is not a useful benchmark for discussing FTD’s release structure.
And yes, we all understand December is chaotic.
You’ve now explained it again as if the problem is that none of us have ever sent or received a package in the month of December.
Trust me, we’ve noticed.
The bottom line remains simple:
FTD has anticipated shipping windows, not release dates.
Delays are normal for small-scale specialty labels.
Fans who want Amazon-level precision will always be disappointed.
If your personal definition of “release date” is “the day I physically receive the item,” that’s fine — but that’s a you definition, not an industry definition.
So no, I didn’t misunderstand you.
I simply didn’t buy the idea that Amazon logistics are a meaningful yardstick for a two-man boutique label shipping deluxe Elvis sets in December.
But by all means, let’s blame semantics and my supposed fondness for “flippant comments.”
It’s a much easier narrative than acknowledging the original comparison was flawed from the start.